Later, he tells me that his movements in space are partly inspired by imagining non-human cosmologies such as that of the tiger, and by the millennia-old sacred ritualistic folk dance of his home state of Kerala, Theyyam. When he traces the large, interlaced lines on the floor, lying down, his body smudges the charcoal. His focused gaze surveys the room, its surfaces, its negative space. His movements seem natural, improvised, but methodical. A large gold-coloured hoop earring is attached to the fabric, right above the ear. Mani is barefoot, wearing a white shirt that has become dirty with charcoal, black pants, green ribbons tied around his calves, a long red scarf around his neck in a floppy bow, and a headdress made of red and off-white cloth wound around his head. A counter-metaphor that confidently asserts the opaqueness it knows itself to inhabit in this geographical and cultural context.Īudience members leave their shoes at the door and carefully step in, sometimes crushing small bits of charcoal left on the floor under their feet. As he does so, his movements and their charcoal traces generate an entirely new space out of this limbo realm: an immersive drawing, a room that is also a text. Over the two days of his durational performance Tyger von otherspur, he covers nearly the entire surface of the room. In restrained, slow, deliberate movements, Sajan Mani moves through the brightly-lit white cube, tracing, writing, drawing in charcoal on the paper that floors and walls of the space (the former HAU2 café, now in Covid-limbo) have been covered in. Which look is your favourite? Let us know in the comments below.This performance was part of the festival Radical Mutation: On the Ruins of Rising Suns, curated by Nathalie Anguezomo Mba Bikoro, Saskia Köbschall, Tmnit Zere, in collaboration with Wearebornfree! Empowerment Radio, 23.9.–, HAU1+2+4. Here the Saajan actress didn’t let her ethnic outfit with intricate embroidery work on the glam alone, while a Kundan necklace made for a stunning show, it was well accompanied by matching earrings that completed her look. Jhumkas have always been a symbol of royalty. Madhuri looked graceful and thanks to the jewellery that was lit up with diamonds and purple stones that didn’t miss a single chance from glowing bright. Never say no to bask in the bliss of diamonds. She kept it as charming as her necklace and finger rings. Dressed in a Torani blue printed lehenga, the Dil To Pagal Hai actress complemented it with silver earrings decked up with pearls and colourful work. Pearls have always stood the test of time and never fail to impress over and over again. Pearls are the cherry on top not just your outfit needs but also your accessory to look its best. Madhuri styled her lacey and sheer ethnic attire with pearl tassel earrings with a dash of greenstone. When tassels are the show-stopper, consider us sold. Why go for a necklace when your earrings are all pretty? © Provided by Pinkvilla Take a look to get your style dose in just a scroll! Dressed in an Amit Aggarwal lehenga set, the Devdas actress let her overall look dazzle with emerald danglers that rested alluringly on her shoulders. From her ensembles to earrings, they look luxe and read divine. We took a trip through Madhuri Dixit’s Instagram to only find ourselves zooming into how gorgeous she looks at this age. Think about how going to a wedding with pajamas may not be the ideal solution so the not-so secretive trick to make you look like you’re living in the moment lies in earrings that can be instantly flattering. If you’re not a fashion obsessive, the very idea of dressing up can stress you out in a jiffy.
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